tirsdag den 22. februar 2022

V/A - Schloss Tegal Presents Kollektiv - 

Music from the Sanatorium



We have been around the world of Schloss Tegal once with the great dark-ambient/death-industrial offering Psychometry. This time we´re not solely dealing with Schloss Tegal, but we are dealing with a various-artists compilation released by the act itself. Inspired by such cult compilations as Für Ilsa Koch (Come Organization) and Vhutemas Archetypi (Side-Effect), this comp was first released on tape back in 1982! And this time around it has been re-released in a CD-digipack edition of 300 copies on Tegal Records. 

The theme (or the idea) of the comp itself was to represent the underground post-industrial/experimental/noise scene and how it was distributed on tape via mail, another word: Home-taping mail-art! A lot of obscure names, and some heavyweights. In other words, fantastic obscurity is being re-issued! We need more of those!!!... So let´s dig down and dig the obscurities from the past!

The first track with Seiei Jack called I Can´t Remember This Title already greats the listener what we are actually dealing with. We´re not dealing with the sort who tell themselves that they are gonna do a specific kind of experimental genre/style, either a new Merzbow or a Front 242. It´s freestyled/open-minded stuff with a visionary thought!  The track has a ritual-chanting kind of thing to it, while reminds me of some obscure recording with Buddhist monks. The main difference is that it sounds like it has been recorded in some damp cellar, and not in a temple. A short track that raises curiosity without a doubt! Love the low-fi approach here!

The second track with Lard - Untitled. Has a weird industrial free-jazz thing going on, with a thumping proto-death-industrial rhythm (Megaptera?). Lovely kind of 70s TG feeling going on here, REALLY murky stuff.

The third track Banned Productions with Ornament #2 greats the listener with chopped-up distorted sounds, screaming microphones, and someone banging on something metallic. A bit like early Esplendor Geomtrico and SPK. 

The fourth track is by Jim Jones, informing the listener about someone having.... a Sexual Interest In Me (track title). A lovely piece of obscure recording with the notorious cult leader puts the listener into the right mood! 

The fifth track is also a bit interesting in a truly fxxxxx up way. Euparunia Campaign track called What You Once Were. Includes the warped and distorted sounds of a porn flick with crying babies in the background. Those warped sounds take me back to that strang video, where someone hacked a TV transmission while being dressed up as Max Headroom (Back in the eighties). 


The sixth track by Problemist called Krank (Crazy in German). Being a haunting piece of post-industrial obscurity. Evocative distorted bass being played, strange typing kind of rhythms, chant-like vocals. A bit like early C93 or the Hunting Lodge. 

Maybe Mental offers the seventh track simply called Sorrow. Creaking of old doors, metallic ritualistic clattering from an old abandoned farm, rat-like sounds with a metallic sound to it, sounds of birds being in a cage... and some haunting piano work here as well. Very interesting and mind-bending stuff. Scary track. 

Brutal Temptation by Pink 36 is the eight-track. Bone-narrowing and ear-piercing sounds with voodoo drums. With some interesting stuff going on in the background as well.

The ninth track Cig Sucking Slut by Red Skull. Red Skull like the guy from Marvel? And is Cig a short word for cigarette?. It´s a sick vocal-based track with some distortion on top of it. Think early Whitehouse, Mauthausen Orchestra or Sutcliffe Jugend kind of stuff.

It gets more mellow with the tenth track by John Wiggins track called Anagenic. A fluid-like substance bubbles out of your speakers, while some mesmerizing ambient moods in the background. A very hypnotizing piece! What happens after that, is worth anyone's ears!

The eleventh track Whisper in the Dark by Room 291 has a proto technoid rhythm to it. Still being in the mellow vibe. Early Skinny Puppy kind of stuff here. Technoid rhythms with cinematic soundscapes.

Track number twelve by The Joke Project offers us the Apocalypse. A strange LSD trip with some circus-like keyboard-work. Might just be the weirdest and most crazy piece on here!

The next track is by Schloss Tegal! Called Autopsy the Animal. A lovely kind of harsh Commodore 64´ish keyboard work puts the listener into a trance, while mind-bubbling sound effects lift the listener into higher territory. Evil-sounding stuff from the sanitorium for sure!

Track by Communications Music Company being the fourteenth track, called What Did You Do Today. Mind-numbing electro noise and vocals clattering and thumping until your brain hurts. 

The last track by Minoy is called Three Favorite Friends. Sounds like the basement of the sanitorium itself. Being able to hear the agonized voices and sounds from the patients and the building itself. A very painful and memorable ending if you ask me. 

So where does that leave us? We have been exploring a piece of documental history for the ears and mind only. A tiny glimpse into the obscure history into recorded mail-art. Every track speaks out for itself, and each track on this comp is great. Why? because as a whole the entire comp works 100%. The artists/acts on the comp don't differ much from each other, but each act has its own and very unique way of expressing itself through sound. For me, it was an incredible journey, not one boring moment here... not one!.



 

 

  

    




 

onsdag den 16. februar 2022

 Kontakt Service - Letters To the Media


When Scandinavian delights meet the finger-licking goodies from the USA, what do you get? If you are lucky, then you´ll probably get something really nice... like a juicy romantic dinner or something. If you are not soo lucky, then you´ll probably end up having to deal with something like Kontakt Service. Two perverts, one from Ideal Father and one who calls himself Mortum ( Stone Wired, Human Vault ). These guys are up to absolutely no good, probably kidnap your pretty daughter and force her to watch European porn flicks from the 70s over a sweet glass of cherry wine. But apart from that, they nonetheless decided to bang their heads together to create a nightmarish death-industrial treat/album. Letters To the Media is their debut, which has been released on Death In Venice as a limited 30 copies cassette. A lovely kind of old-school collage cover design, with a sleazy sort of feel to it. 6 tracks over, 30 minutes plus. 

The first track I´ll Bring You Down introduces low-fi recorded samples from some old documentary about prostitution, this gets mixed up in a howling, surreal, and (again) nightmarish sort of Texas Chainsaw Massacre-soundscape. A churning death-industrial bass sound with some cool heavily distorted vocals is present as well. Kind of slow-moving old-school power electronics with death-industrial elements. 

The second track One Final Night is more simple and minimal in sound. Not that far away from the sound of Brighter Death Now´s Necrose Evangelium. Sort of an icy and foggy sort of feeling going on in here, the sound from the world which exists between the dead and the living. A cold and icy place where dead souls seek the means to end their eternal suffering. A lovely picturesque track indeed! 

I Am What Is Real is the third track on the album, continues that haunting sound which the second track introduced us to. The perfect soundtrack to describe all the murky and foul things that are happening behind closed doors. Lovely nasty sounds mixed all together without any aggression, I love the thing that the listener can easily hear all the sounds going on. Truly horrific death-electronics for the minimalist! 

The fourth track Hate Is the Future. A hazy and harsh space-ambient kind of sound fills the room. My first thought was that it sounded a bit like an evil version of Rymdborg. Not the kind of track/sound you would expect from a track called Hate Is The Future, but it does raise the curiosity of the mind and ears. A very glitchy, dense, and raw ambient piece with a lot to lay your ears to. A get a kind of big city noir feeling here as well.


The fifth track Sell Your Bones, has a sample from a drug addict telling a heart-broken tale about selling her son for her to get drugs. Draggin, crawling, screaming, and distorted sounds with some excellent vocal parts here. Again, Kontakt Service nails that horrific feeling once again. 

The last track Kill-Rape (love the merry titles right?!). I am 100% sure, but I do think that I am hearing a sample from Jeffrey Dahmer. Explaining how he came from a good family (and all that). Some cool and mind-bending sound-effects thumps on like a classic TG song, I really dig those low-fi distorted sounds here! Another excellent track!.

A bloody masterpiece. The only track that I felt was boring was the first track, but the rest of the album nails it right into the eye. Fans of Brighter Death Now, Atrax Morgue, and Intrinsic Action take notice. A harsh ambient-driven death-industrial treat from the good old days. Do not miss this one, there are still some copies left!



onsdag den 9. februar 2022

 BU.D.D.A. - Erste Opfergaben 



A not too old project has just released a new album. BU.D.D.A. is an interesting act, having some veteran members within. One is Chris Sigdell (B°tong and NID) and the other is Sascha Stadlmeir (Owner of the Attenuation Circuit label). An experimental act that travels in the realm of mediative ambient drones. Not that far away from other like-minded spacy stuff like Maeror Tri, Zoviet France, Beequeen, or Troum. This one is their third album, and it has been released as a limited CD-R in a pro digifile on Marbre Negre. 3 tracks, about 37 minutes in total. 

The first track named The Mourning Of The Midnight Diner´s Broken Heart is the longest track, and sort of works as an "intro" for the entire album. It immediately sounds like the work of sound-veterans, like experienced space-cowboys. The track is a breathtaking plunge into another dimension where time simply stands still... completely. Top-quality stuff with tons of depth to it! The track starts with some mysterious guitar strings. The kind of tapping the strings, and then the sound just travels through the room until it vaporizes into the thin air. Cool evocative deep archaic drony sounds can be heard and felt, while some interesting radio voices chatter as well (Astronauts?). Quite evident that we are dealing with a melancholic piece that will suck you into a hole. Later on, lots of other cool sounds are added to the mix but more importantly... the thin red line runs through the entire sound production. Incredible deep stuff, true space ambient!


The second track L´Enfér Des Réves Pérdues  mooves closer to a more sinister sound. I'm thinking... weeping angels or dying whales for some reason. Don´t stare too long into the abyss or the abyss will start staring back at you. This track almost gives me that sensation about... being scared of heights. The track sounds like being... somewhere high... and you dare not to look down! Maybe we are talking about balancing on some high cliff, and if you fall... you fall straight into the bottom of hell itself. An ambient track both containing beautiful angelic and hellish infernal moments! There are some incredible cool spacy sounds to be discovered/heard here!

The third and last track is called Human Dignity Is A Cave sounds like... the laboratory of an alchemist. Something is happening, hidden from sight inside a room. The shuffling of glass-like tools, water dripping from old cellar pipes, and rats behind the walls?. All of these sounds dissolve strangely into the next stage of life itself. Life after death, or the life after death?... I don´t know!. Love the melancholic feeling here as well. Some highly manipulated human voices here, creating chant-like drones through the machinery. Magnificent work here!

An incredible album. Top edge ambient music here for the fans of the more.. drony/spacy-stuff! I cannot stress out enough about the bloody sound quality, which is beyond good. The whole bloody thing engulfs you completely and begs you to listen to the damn bloody thing over and over again. A masterpiece within the realm of modern ambient music!


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