torsdag den 31. marts 2022

 Barrera - No Inputs Awake My Interest



The big question remains. What do the elephant-man and the extreme industrial-noise label Marbre Negre have in common? A not too old HNW act called Barrera, an act which has its focuses on no-input mixer techniques. This one called No Inputs Awake My Interest was released last year on Marbre Negre, is the second newest release from this act. It´s a monstrous noise treat with two untitled 30 minutes tracks, one on each side of the cassette. 

The A-side sounds like the burning of gas with hypnotic, static, and humming ambient tones in the background. The funny thing about it, is that earlier today I heard it on my phone... and now I am listening to the cassette. The sound is somehow... different. No question about it is that the cassette sounds well... more raw and analog. While the digital streaming sounded more digital... I guess it makes sense. I like this track a lot. Not a brutal HNW punch to your face, but an almost pleasant and hypnotic force of sound. Cracking sounds on fire, the sound of gas escaping, ventilation systems, and all that. Top HNW so far!.  



The B-side is a bit more aggressive. The sounds are nastier. The sounds of hot boiling water and burning exhaustion in a huge basement room. More static than the former A-side track, and a bit more mind-bending as well (I think I can hear some kind of music in the background). I was reading this older creepy paste called Russian Sleep Experiment. Try reading that one while listening to this B-side. 

No Inputs Awake My Interest will awaken your interests as well. Been too long since the last time I have reviewed an HNW release, and what a joy it was to review this one. A constant and brutal static monster with epic undertones. Experience a religious experience with HNW, here is your poison! 
  

Bandcamp (label):




fredag den 25. marts 2022


L'Egarement d'Esprit - Written in Stone



A new customer in the realm of Kalteldur. The label called Steinklang has dared to send us stuff to review. Steinklang is an old European label, with both feet firmly planted into the realm of noisy martial industrial and heathen neo-folk. I was into Steinklang some years ago, and I was surprised to hear that the label was still around. Sort of like... the Austrian´s answer to Tesco if you please.

But nonetheless... they have released a new album/compilation with an act called L´egarement D´Esprit, and the album is called Written In Stone. Here is some basic info about the album from the act itself:

Written in Stone" is a compilation of two digital demos, online compilations' tracks, and previously unreleased material. Part of this album is a collection of oneiric impressions of a warm summer evening when an unknown young man is looking for comfort in lousy cafés and obscure brothels on the eve of his enlistment. The other part is a silent scream of the same young man terrified, hungry, covered in trench mud, longing for home and warmth of woman's body.

Yes, it all sounds like something out of Ernst Junger´s famous first world war book In Stahlgewittern (recommended reading). We´re dealing with a physical digipack release with 14 tracks, 55 minutes in total.

The first track with no name (Untitled) instantly reminds you of such classic ritualistic acts as Archon Satani or Inanna. Ceremoniously, looped, and distorted samples going on with a ritualistic mood on top of it. Love the piano parts in there, which gives the ambient piece a nice edge to the harsher elements within the track.

The second track Cafe Parisien starts with a church organ, setting the mood. Eerie sounds from a past creep in, the sound of dust on a record player in there as well. Slowed down human voices talking, with epic drones giving the track some extra room and space.



The third track Laudanum Euphoria has that classic kind of CMI sort of beginning. Heavy machine-like drones, ritualistic chantings with repetitive rhythmic sounds.

The fourth track La Force De Lámour gets into something else. A lighter dark-ambient piece, with something going on in the background with a synth. I feel that this track almost has a story to tell, it evolves into something else from the beginning and to the end.

The fifth track (Bloody long French title) almost sounds like a romantic one. Beautiful organ synth stuff going on in here. Dungeon synth fans would dig it. Love the religious feeling to this, so far my favorite track on the album. The track should have been longer!.

The sixth track Vergib Mir, Camarade is a spacy industrial-martial piece with a movie sample that I don´t recognize. Touches of early Kraut-rock here and there.

I am gonna jump a bit to the tenth track called Amen. A very evocative drone piece here kids. Imagine the war between angels and devils in slow motion, or just the mood of a city turned to dust. I saw a video the other day of the Ukraine city of Mariupol, a drone showing the city. That sort of mood. From life to death in a few days. Mariupol kind of makes a track called Amen, sort of scary.

The eleventh track That Last Summer, doesn't sound like Blue Ouster Cult´s Summer of Love. But more like a track caught between the idea of hope in a hopeless situation and the idea of being comfortably numb in hell. It is a very easy-listening piece of evocative ambient music, but there is a touch of evil in there. Like something taken out of a Pasolini flick.

There is lots more stuff to be explored on this moody album. It works like a compilation and it sounds like a compilation, without being too messy in the aesthetic of sound. I did have one thought (idea) if the band could manage to create a conceptual album with 4 tracks on it. and each track would be around 10 minutes long. Whatever this band does, they could do it even better by making longer tracks. Good ideas require more time, and these guys have some good ideas. Will be looking forward to a full-length conceptual album in the near future!.


onsdag den 16. marts 2022

 Don Mandarin - Peking A Poem / 

Guided Meditation


A new release from our favorite and mysterious Don Mandarin. For those who don´t know who he is, then I suggest you read a former review I did with one of his releases called Black Crown. An underground artist with an immense body of work. Started in an indie-rock band back in called Head (1987-1989), and then, later on, got into experimental trip-hop stuff with Pregnant and Applecraft (1997-2010). And then started his solo recordings as Don Mandarin in 2016, often releasing huge cassette box-sets with a beautiful and detailed nod on the aesthetic of the design. It should also be mentioned that it was also him, that designed the sleeve for the Pop Groups Y album in 1979.

The stuff he does is a strange mixture between field-recordings, early industrial, and dub and often invoking such feelings as nostalgia being a timeless thing of wonder. Quite often we´re dealing with the mood of something like exotica. If you can imagine, the hidden link between the world of Bryn Jones, Throbbing Gristle, and Martin Denny.  

This one release comes with a BEAUTIFUL book! The kind of which you read in while Don Mandarin takes you on a fantastic journey. It REALLY is quite the trip I tell you, let us check the tracks within!

In the first track, you have someone singing a peculiar song (While walking). Something about how his minus fortune keeps on following him, and then the track stops. 

Track two imediatiatly enters Asian territories. Reversed violins, traditional Asian music-instrument with strings with then some stringed-synth going on as well. Sort of reminds me of Coil in a way. A really beautiful mysterious and highly aesthetic piece, that puts the listener in the right mood.

The Third track moves into harsh soundscapes with industrial elements, almost a bit like Prurient. A fat and distorted bass, and interesting looped sounds jump in and out of focus. It may sound like a bloody mess (From Asian stuff to harsh stuff), but so far the conceptual mood sticks very nicely!.


On the fourth track, we are entering straight into field recordings. Might be on some bus, with some nice young ladies chatting about everyday stuff. Something about someone being a bitch because of that and that, you know... that sort of talk you hear in a bus you are trying hard to ignore. Of course, I end up thinking of Throbbing Gristle here, tracks like Wall of Sound and Hometime.

The fifth track is a haunting piece of old-school industrial soundscapes. Thinking about old English coastal cities falling into a state of decay and disrepair. Rust, grey-colored and rotten boards all around. Sounds really ugly, but really beautiful. 

The sixth track is where it gets even weirder. Sounds like Don Mandarin has resurrected Bill Evans, playing one of those jazzy synths (which he managed before he died). Gobsmacking shit I tell you. 

I will now jump straight into my favorite track on the album which is track 9.  A long journey into an improvised dub-inspired jam. A real masterpiece if you ask me. Slowly starting and slowly building up to show all the expressive ideas and spacy sound effects 35 minutes can hold! Just bass, drums, vocals, and effects. Imagine a 35-minute version of Alien Sex Fiend´s Magic with Nurse With Wound! That sort of trippy thing. Could have this one track on repeat the entire day (if you ask me!).     

The rest of the album is something for you to discover! Its a highly strange and unique album from another planet, but using a language which you all can understand (in some way). That is where the book can help you to understand the recordings within, either the recordings get you into the mood of reading the book or vice versa! The two items are closely knitted together (as you can read). I HIGHLY recommend this jewel on all accounts! Still available (Link below). 






       

 

tirsdag den 8. marts 2022

 A Ghostly Vacuum Trapped in a Confinated Space - 80 Endless Days and the Hardest moments of Greif For Our Fragile Existence...



An unknown act called A Ghostly Vacuum Trapped in a Confinated Space
(from Mexico) asked for a review. And since it has been a long time I have heard something new from Mexico, I asked myself why not?. And with a band name as interesting as the album title, I was curious and sucked right into it. I also enjoy the artwork as well, sort of... surreal kind of minimalism vibe to it. There is only one track on the album, a lengthy one that is... almost 40 minutes long. Let us hear a quick word from the artist himself (Manny Garcia), telling us what conceptual idea lies behind this album.

This long track was Made for those hard days what Me and everyone are living with the sorrowful bereavement of someone dear being, Me, Loss of My beloved Mother, What I still can't overcome... And of someone nearby persons as Friends What they passed away, a is enough understand the Death and heal the huge Emotional pain, these inside wounds of the soul...

Moments for that you love every second, minute, to Your beloved dear beings, perhaps tomorrow is too Late.....


A classic conceptual theme about death, time, and loss. The older we get, the closer we get to "understand" the idea of how time actually moves. How time constantly, changes the landscape we live in. As a child, I was quite sure that time as I knew it, would to some degree move really slowly. But all of a sudden you folks die, and the old folks of your friends die too. Sort of like... the idea/thought that popped into my mind when hearing this release. 

Pure melancholic drone music with touches of cosmic space ambient here and there. Multi-layered drone music that is, there are heavy drones and light drones... and LOTS of spacy effects. Perfect headphone ambient music while watching the stars on a cloudless night in the springtime.  


Bandcamp (label):