mandag den 23. marts 2026

Kalteldur Playlist3

 https://soundcloud.com/kalteldur/playlist3


Latest playlist for some of the latest (and hottest) artists/acts I have reviewed. Experimental, noise, industrial, ambient. Worth your time.  

00:00 - 05:53 - petrichor - meanwhile

05:28 - 12:12 - thru the leaves - thebit

11:49 - 18:27 - devil´s breath - abandoned by humans...

18:07 - 24:36 - nerthus - sudor anglicus IV

24:33 - 26:34 - ivanova kula - lullaby for undead knights

26:26 - 32:02 - shadow echo canyon - all this darkness...  

31:38 - 39:28 - analfabetism - våldsdåd i gryningen

38:17 - 42:52 - grodock - hab acht


torsdag den 19. marts 2026

 Masked Diode - Hardcore Electronics



We have many harsh-noise/Japanoise practitioners from Japan (of course!), but what about acts doing power electronics? Not sure about that, but I do know about this act called Masked Diode, who does it. Been active since 2006 on labels like L. White Records, Waterpower, Kaulter Staub, Cipher Productions, and now with the latest EP called Hardcore Electronics on E.C.T Recordings. A beautiful, limited-edition CDr with a poster and insert. The release comes in a plastic bag, with a fold-out inner sleeve and a graphically printed hard-cardboard CD-tray. It´s a short ride into Japanese power electronics, only 2 two tracks on this little jewel.

The first track (recorded in 2014) is simply called Desert. The sound of a powerful current runs through a circuit, it gets chopped up... stops... and gets back on and with a focused power. I do like the vibrating hum that goes on in the background. Vocals enter the sound, vocals (In Japanese) that bring me back to the vocals of SPK's classic Slogun track, a kind of commanding voice with a touch of aggression. Extra powerful layers of noise quickly ignite the empty vacuum. Lovely, brutal, and crunchy sound! 


The second track (recorded in 2016), 体制盲従 [Taiseimoju], starts with a beep, and the sound of thunderous concrete bricks falling and hitting a recording microphone. Excellent vibrated vocals and non-distorted vocals delivering an orgasmic performance. Fans of Con-dom, anyone? Flabbing noise effects, microphone on-the-speaker-distortion, machine-factory alarm (of some sort), and a nuclear-power station getting closer and closer to a complete meltdown.   

Hardcore Electronics is hardcore electronics, somewhere between Japanoise and power electronics. It´s good, actually very good in an honest way. Absolutely nothing is spared; you get the full treatment here for just 12 minutes of 100% honest brutality, to the point. Heck, I´m even going to hear it again! Worth spending your hard-earned cash on! 

 

onsdag den 11. marts 2026

 Demolition Daniel - Decay



Released back in 2025 on Marbre Negre. Decay by Demolition Dabiel is this solo-project´s fourth cassette album, and it´s kind of a side-project to the veteran noise/industrial German act called Flutwacht. Limited cassette release out on Spanish Marbre Negre. The album contains 3 long tracks and a total length of 35 minutes.

Love the kind of action-themed artwork that comes with the cassette, maybe it´s just the letters?  Nonetheless, it has that grinding black/white post-industrial factory-feel/look to it. The cassette is a simple transparent tape, and the cassette booklet only lists the three tracks: Decay I, II, and III. So let us just start with number I shall we?

A slowly building, distorted, heavy, dark-ambient mood is rising. Additional drone layers of smothering atmospheric noise are added. Sounds brutal, but it´s actually kind of beautiful, dreamy, and melancholic. Very ritualistic and very hypnotising. Harsh distorted vocals get into the grinder later on. The track evolves into a kind of surreal ambient and harsh-noise thing. I like this a lot! Good thing that it is a very long track, 17 minutes and 54 seconds long! The first track takes the entire A-side. Same kind of quality stamp that goes for every Flutwacht release. 

We flip the tape and continue with the second Decay track. Starts with a very pointy dentist drill, drilling while water is being added. The echoed, reverbed sound of empty factory halls churns in the background. Sound of a diving aero-plane in there, while the dentist drills and tunes in. Less moody, and more noisewall-of-sound approach.  



The last track on the B-side is Decay III. Sound of buzzsaw, or is it one of those called leaf-blowers? A thumping and vibrating piece of machinery is in there. And a screaming, metallic, dynamic, reverbed tone is there to keep you awake! At this point, there is no point of return. You are there, sucked into a void of sound. Brilliant!

Decay is a simple masterpiece, thoroughly focused the whole way through. Feels like a focused live-recording/live-session. The guy behind this project knows what he is doing; it can be felt and heard at all times. Brilliant mixture of drone, harsh noise, and industrial ambient. This cassette is an absolute must!


 


fredag den 6. marts 2026

Panzerkampf - Extermination Engineering



Sort of a side-project to the more well-known industrial/dark-ambient act called Paranoia Inducta. The debut of this project was released on CD back in 2025, on a Polish label called Heerwegen Tod Productions. Comes as a 6-paneled digipack, and as a normal jewel case. 45 minutes in total, with 9 tracks. 

The cover-artwork is a darkened photo showing a building, probably a bombed ruin, while still standing. You open the digpack and see 2 panels with large electricity pylons, and the last 2 panels contain information and a track listing. The album is called Extermination Engineering. Apparently, this album contains 2 members and not just one. First, we have Anthony Armageddon Destroyer (charming), who takes care of the noise, and then we have L-Melkor, who delivers the vocals. Let's dive into it and understand what it is.

The first track is called Deadlands. The sound of something gliding (in a quiet way) through a cold and grey sky... could be a drone. Distant and deep cello-like drones, giving the impression of something deadly getting closer. Ghostly sounds fade in and out, with a subtle, distorted presence of sound in there aswell. Definitely spooky, without knowing the danger of it. Nice intro! 

The second track On The Edge of the Soul. Cold wind is escaping through the ventilation systems, crystal-line ambient tones, subtle ritualistic drumming, and vocals! Vocals sound like an orc-cyborg, or a cyborg being a former black metal vocalist. I actually do like the vocals, has that charming "evil" sound to it. The moody dark-ambient sound-textures work very well here.

The third track is Mind Surgery. Distant trumpet/horn drones, nicely layered actually. Some growling demons in there aswell (I think). Nice ritualistic martial rhythms, with the cyborg orc vocals aswell. Kind of like a thing between Melek-Tha and Desiderii Marginis. 

The fourth track, The Eye Of Nothingness. Best rhythms sofar, kind of gets me back to TG´s classic industrial-banger track Discipline. A subtle screaming microphone, or is it a distorted guitar...not sure. The track has a good way of building up, especially with the intensity of both the mood and the rhythms. 


We jump straight into track 5, Extermination Engineering. A static tone, sound of scrap metal, a noisy radiator, orc-cyborg vocals... kind of getting into a sort of Terminator meets black-metal-feel here. A slowly and nicely built atmospheric track. 

The sixth track is then called Signs Of Death. Getting a bit more futuristic in the use of the electronics, and the vocal parts here, and working more in a spoken-word sort of way. Think I'm more with the spoken words than the cyborg orc, which has a more sincere evil feel to it. Nice death-industrial touches here. 

The seventh track, Creature of Heaven. More of a melancholic track than an evil one. Closer again to stuff like Raison d´ëtre and Desiderii Marginis. Nice tribal rhythms in there aswell, and the vocals continuing the spoken-word direction. I think that (at this moment) the album is slowly getting more... personal and therefore more interesting! 

I will leave the curiosity for the last two tracks for the intrigued listener. Extermination Engineering is (in a lot of ways) a good album. Bit evil in a comical way, but I think it works smoothly around that without actually being an issue. The overall sound quality is quite superb, without being too sterile and polished. I do think, though, that some samples or actual recordings could spice it up a bit... but apart from that It´s a good post-apocalyptic album.


 

onsdag den 4. marts 2026

 Schkeuditzer Kreuz - Swan Grinder



Industrial-punk-rock act from Lawson, Australia, with its fourth album out on Bad Habit Records. Available by digital means, and on vinyl, which can only be purchased directly from the Bandcamp site (not on Discogs, yet!). 8 tracks, about 35 minutes in total.

Love the artwork for the vinyl version, with its campy horror-comic look. Inside you´ll find a lyric sheet, poster, and some additional stickers. Worth noting, the album has been mastered by Martin Bowes... yup, the guy from Attrition who also done tons of other great mastering work for labels like Cold Spring. 

We start with the first track, Swan Grinder (like the album title). Some old recording of old sad violins, which is suddenly interrupted by a radio-broadcast bulletin. Industrial doom-metal mood kicks in, a bit like In Slaughter Natives meets Sonic Violence. The track gets into a thumping horseback riding sort of rhythm, with the guitar and melody parts having a nice black-metal sound to it. The vocals are delivered by a deep phlegm-infested throat, which sounds great with the other elements. 

The second track, Trips and Trepidition. An eerie rhythmic tone jumps up and down, which gets nicely mixed into a exellent industrial rhythm. Acid-techno/house elements in there aswell, giving it a trashy dancy-goth-club-in-the-90s element to it.

The third track is called Sirens of Death. A thumping and convulsive rave-rhythm track with heavy-metal sounds on top. A really good industrial/metal banger in the late hours for sure. Nice touch with the retro samples and the sirens. 

The fourth track, Present Eternal. Gets further into that rave-techno house sound (especially with the keyboard elements in the beginning, and later on in the track). And then the harsh aggression kicks in. Great stuff to hear in the background while playing something as classic sci-fi-infused horror computergames like Doom or Quake. Lots of charms in this, lots of it. 

The fifth track is called... well... Keep Dancing. The fast dance rhythms keep on going, a bit like Cat Rapes Dog meets Oomph here... electo-punk stuff. Another banger for the dancefloor with hints of Gabba Techno. 


The sixth track, Systematic Death, is actually a cover of a Crass song. Low-fi computer drums on speed, grinding guitars, and vocals that get you back to classic anarcho-punk sound. A bit annoying track, but also entertaining (and charming) in that campy way. 

We get to the seventh track called Inhale. A track which (kind of) gets back to that In Slaughter Natives-feel which the first track also had...might be the rhythm or the melody? There is a nice kind of vibe going on with this track, kind of the highlight of the album. Powerful and heavy, without the fast rhythms. Think this one is the best track on the album. 

The last track is Poor Impulse Control. Doom and the smell of sulphur, very kind of hellish feel to this track. Might be the sound of the chains, or that punishable mood? 

Swan Grider is a great industrial meets death/black-metal album, with a decent entertainment value attached to it. Not as dark as In Slaughter Natives, or as extreme as Dissecting Table, but... It´s nonetheless something which u could listen to (maybe) every day. Preferably, if you have a Halloween night, some horror VHS flicks, and some cold beers in the fridge. It´s bad-ass allright, but not dangerous. 


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