onsdag den 16. september 2026

 Ancient Autopsy - Violent Fleshwounds



CD-R release by E.C.T. Recordings of an act called Ancient Autopsy. This one is their second album, called Violent Fleshwounds. Released on limited cassette on Willigut Prophecy, and then on CD-R on E.C.T. Recordings. 8 tracks, about 20 minutes in total.

As with many underground acts (nowadays), information about Ancient Autopsy (and Willigut Prophecy) is shrouded in total darkness. I was lucky to receive a letter from the label, giving me a quick intro. Ancient Autopsy is a U.S.-based project that is closely related to the label Willigut Prophecy. Their sound is described as being death-industrial with moments of dark ambient.   

As for this physical release, u get the nice-looking CD-R edition with a fold-out sleeve with cool graphics (in the traditional old-school power-electronics aesthetics). You also get a small poster and the CD-R on a piece of thick graphical cardboard. Really nice design, as always. Let me pop in the CD-R and listen to what this is all about.

The first track on the album is called A Brutal Punishment For Treachery. Starts with something that sounds like a mix between looped grindcore drums and a machine gun. From that, it goes into a thumping heartbeat rhythm... with a very brutal and atmospheric soundscape, all drenched in absolute violence.

The second track, Cement Nails and Gun Powder offers a more death-industrial sound. Bone-crushing sound of exploding drums, and a very sinister kind of keyboard on top of it. An eerie kind of clattering pieces of sound (and noise) swirl around the listener like grenade fragments.

Violent Fleshwounds is the third track on the album. Looped sound of quick drumming on a real drum set, sounding as if a human-robot was banging relentlessly on a drum set. The drums stop, and a disturbing, almost naive horror soundscape drops in. Improvised, sort of filtered organ, I think. Almost giving me a sort of Halloween kind of mood. 

The fourth track is called Implements of Hell. Something massive moving in the darkness, and a special kind of tension is there as well... just not being visible to the human eye. Moving closer and closer in a subtle way. Underwater sort of sound here; hard to pinpoint where the sounds are coming from. Very scary piece! 

 

Protracted Cries Of Extreme Agony is track number 5. Starting with the drums, and then it gets replaced by an epic sound from a broken radio. Shards of razor-sharp noise penetrate the mind, while an angelic choir cleanses your dirty soul. 

The sixth track, Bloody Black Fluid Flowed From The Mouth. Sounds exactly like the track name. Dark ambient and minimal power electronics merge (and float) together to form a blackend piece of ritualistic funeral noise. Blubbering, rusty noise in the dark of night for sure.  

I will leave the reader for now, but I can assure you that the rest of the album does not disappoint. Violent Fleshwounds is a very good (and alternative) new take on death-industrial. With elements of brutal grindcore, combined with eerie Halloween moods and surreal soundscapes, you are sure to get a very unique experience. The eerie keyboard parts made me think about this highly obscure act called Pumpkin Witch. Power electronics for Halloween!!! 


    

 


lørdag den 12. september 2026

 Baah & Jaw Surgery - S/T



Split released last year (2025) on cassette via Marbre Negre. Two projects: one called Baah and the other called Jaw Surgery. Baah hails from Malaysia, and Jaw Surgery hails from the Philippines. Baah works in the field of immersive soundscapes, drones, and ritualistic noise. Jaw Surgery offers psychotic soundscapes using vocals, distortion, delay, and feedback. The two have then gotten together to make this split. 

Bahh on side A with 3 tracks, and Jaw Surgery on side B with 4 tracks. 38 minutes in total. Nice exotic-looking artwork with Asian gods or demons. If there is a focused theme on this release, I am sure to find it while listening (and checking the names of the tracks on the album). 

The first track by Baah is called Moist Gullet. A heavy and rhythmic death-industrial, chopped, and thumping sound. Nails on rusty metal springs, scraping knives on sheets of metal. Very factory-kind of sound; reminds me of the German act called Flutwacht. There's also a hint of chanting vocals in there. Warped synths sounding like a rusty bonesaw, slicing and dicing through a blackened ambient soundscape.

The second track, Purity Mucus. Harsh ambient-driven mechanics and digitalized cut-up sounds from a glitchy computer in an icy-cold morgue. Moody, immersive, and lots of nice layers being perfectley mixed together. Has a very organic sound to it, a living, breathing recording altogether.     

The third (and last track) by Baah is called Apocalypse Sputum. Moving closer to a mix between dark ambient and harsh noise. Moaning vocals of the dead and the sound of the restless spirits swirl around. Lots of punishing and sharp knob-twiddling here. Digital looped haywire makes it sound like an android version of Rubber Johnny. If the listener felt relaxed with the former tracks, they're sure to be woken up now.    



We swap the tape to the B-side with Jaw Surgery. Mist of Carnal Neurosis wakes the listener to a grinding, painful-sounding, and moody harsh noise treatment. Crunchy and nightmarishly spatial. Screams from the operating table, or shrieks from beyond? Very intense material, up there with Information Overload Unit by SPK. 

The second track, Traitorous Orchard of Demise. Crunchy and heavy, slow-driven, looped, and battered machine rhythms. Sound of gas escaping through small plastic tubes. Female spoken words, something about... straightjackets. 

The third track: Cavity of Blood, Marrow and Light. A burst/sound of flames from an iron foundry, high, distorted, and sharp sound raising the tension just a big higher. Classic harsh noise. 

The fourth (and last) track is called Anti-sun Vortex Of The Nephilim. Sputtering machine-noise and moody, ritualistic distorted growls. Torturous expansion of pain and sound. It slowly fades out, then ends. Gulp... What a trip! 

Two very different harsh acts with a moody approach to post-mortem themes. The first act is a bit more ambient-abstract, while the second act is more harsh-noise direct. Kind of like two sides of the same coin. Excellent mood-killer for some, mood-booster for others.