lørdag den 23. november 2019

Miguel Souto - Lillith



An interesting theme to bring up in our era of Mee-Too campaigns and power females. The "demonic" female Lillith is without a doubt relevant to this. As you all know, Eva was made out of a rip from Adam... Lillith wasn't. She actually left Adam, reason?... She wasn´t interested in having a relationship in the garden of Eden with a dominative husband. She went out and had a relationship with the archangel Samael. A rather... "satanic" themed arch-angel who has been called Poison of God, Blindness of God, seducer, and destroyer, etc. A sort of not-necessarily evil, because he spends his free-time destroying the sinners... Another satanic-themed arch-angel if you please. A powerful archangel doing the dirty work for god, who could say no to that?... ANYWAYS!. 

Miguel Souto has made this mini-album, which have been digitally and physical (cassette) released via Anoxia Records. I have also had the utmost pleasure of reviewing the dark-ambient masterpiece Lacrimi Si Sfinti, which Miguel Souto did together with Alejandro Durán (see the former review!). He is ALSO the same guy behind the ritual-occult act Sudari (also see former review). This one is also a solo-work from him, and a VERY interesting one (if you ask me!). 

First track Ravishing Whispers reveals to the listener that we are dealing with a piano-driven thing, a kind of... gothic piano thing. Not the kind of gothic-like the Sisters of Mercy, but more in the vein of early gothic literature like Mary Shelley, MR James, EF Benson, B. Stoker, etc. Haunting and esoteric and decadence all in one bucket. A kind of horror-themed Erik Satie, with a touch of early avant-garde music. Simple and moody piano moods, with a tiny spark of eerie glitchiness in the background. Absolutely brilliant, and rather... timeless! Could have worked as background music for Polanski´s The Ninth Gate. 


The second track called Turmoil gets more... kind of disturbing and disruptive piano notes. Weird mood swings, from being calm to being rather in a sense of despair. You have that feeling that something dreadful is going to happen! A rather beautiful track I must say. 

Last and third track called Approximation - Seduction - Copulation: First Encounter with Satan and the Birth of a New Race. This must be here where Lillith meets Samael!. An icy and cold beginning, tip-toe fingers on the piano like toes lightly dancing on dangerously thin ice. Again, the sound and aesthetic of the likes of Satie are clear here! Exquisite avant-garde sound-glitchiness creeps in with a lovely X-Files´ish/90s-Thriller´ ish atmospheric retro-synth. VERY gothic and very horrific! A church-like organ meets the mood just right further on, giving the ritualistic and esoteric elements a lovely atmospheric boost. The ending track ends with those beautiful light piano moods, drifting spiritually into melancholic disintegration. 

I mean WOAWW... Fucking Woaww!. This is the REAL deal. Not some mumbo jumbo esoteric-meets Crowley bullshit in a burger joint. This is it, the real fucking deal. It´s like if Erik Satie should create music for the stories of MR fucking James, while he is reading it. An incredible sincere and chilling experience that will haunt my dreams! I will listen to this again... and again... AND AGAIN!


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